He’s a little junco bird, a very fluffy one.
Charcoal is a great medium for capturing movement.
Birds are never still, they are constantly moving or about to. When drawing or painting birds I like to ensure I’ve captured that flitting sense that a bird has.
Here are some progress shots as I build up the charcoal…
I make sure the bird is completely drawn in charcoal first, adding the colour just at the end.
Sebastian is available to buy from my website shop here
Or click on the image below to visit him….
It was suggested that I complete a drawing of Ross Whiteley hitting a wonderful six sixes in the 2017 T20 Blast for Worcestershire CC. After viewing the over I decided to draw all six of the hits. It was a great challenge and the largest cricket drawing I have completed. Setting the hits out as in a cricket score book they are drawn in charcoal and white charcoal on light grey pastel paper.
This was a great challenge. Initially I was only going to complete one of the hits. After watching the footage I decided to sketch them out in my sketchbook with pencil and watercolour to get an idea of which hit I preferred.
Here is a shot where you can see the sketchbook open at a couple of hits…
I could not decide which hit to go for so struck on the idea of completing all six. At first I thought of producing a long narrow drawing with them all on in order. That may have proved tricky with prints and indeed to frame it (maybe another time) so then I thought of setting them out as in a score book, like a dice of six.
Here is a slide show of some of the shots…..
My biggest problem was simply the lack of detail. I could not make out any of the features of the cricket players or details of their clothes etc. I also wish it had been test cricket so I could add my signature red to the ball. However, I concentrated on the hits themselves. Hope you like it…
Prints are available (limited to 50) Click here
Or on the drawing below to go to my website….
I photographed this squirrel in Sheffield Botanical gardens. Used to squirrels locally that shy away from the camera I was delighted to see how tame he was. As I crouched down to get a good shot he just wandered over to say hello…
His eyes were full of curiosity, bright and cheerful – I loved him straight away.
I have completed him in pastels – soft, conte and finally pastel pencils on primed gatorboard.
Here is a little slideshow of some progress shots…
Scout is available to buy from my website shop here or clicking on the framed image below..
My latest cricket drawing has a focus on the moment when the batsman knows he has clipped the ball, glancing behind in the hope that it goes to ground and not to hand.
The drawing started off with a preliminary sketch in my sketchbook. Here I’m just making a loose sketch in watercolour to see how it works and to see if it will make a good finished piece…
It had all the potential for the drama of the moment that I like to capture in my drawings so I went ahead and started a full drawing. For my cricket drawings I work on Canson Mi Teintes pearl grey paper (the smooth side). I take sheets of A3 and cut them down if I need to. Here are progress shots of the piece…..
If you notice the original finished drawing actually had a bowler on it too. I decided that the bowler brought nothing to the drama and I found his pose a distraction so erased him from the finished piece, working him into the background instead. The finished piece can be purchased along with prints from my website shop here
Or by clicking on the image below…
My first colour painting of my favourite subject – cricket and my first women’s cricket drawing for quite a while.
This piece has been spinning around in my head for a while so its so good to see it in reality in front of me. The inspiration for the piece came from watching video footage of England women’s Katherine Brunt diving to make it safely behind the line. Making figure sketches from the video and scrolling through reference photos of diving saves I finally came up with a shape that I wanted. I have wanted for a while to do an abstract piece of cricket art. This piece isn’t fully abstract but it’s getting there. The reasoning behind it is that working on commissions for both cricket figure drawings and portraits the predominant motive is always to get a good likeness. It’s something that I constantly battle with. When someone sits for a portrait then often they are still and expressionless so a likeness is easier to measure and work on. When they are in full movement and full of expression then they don’t always look like the person they are. In these cases the likeness comes from the body and the body language. Too often the clients struggle with that concept, expecting the face to look just like a portrait. It’s a continuous frustration with me as the artist. By working in abstract we move away from the ‘likeness battle’ and onto a much more personal interpretation.
The desire to produce a piece of abstract cricket art has been there for a few months but not a clue how to go about it. Flicking through an artist magazine I came across an American artist called Michele Poirier Mozzone who went on a similar abstract journey as myself. Wanting to work in abstract she spent 6 months trying to produce unfulfilling pieces that weren’t quite what she wanted. One day she took pictures of her daughter swimming from underwater up to the sunlight. The resulting photograph produced beautiful abstract colours slicing through the water with the safe realism of an actual figure to work with. It was perfect for her and set her on a new journey.
Reading her discoveries a clog clicked in my brain and I knew exactly what I wanted. I contacted Michele to check out some technical points and the drawing ‘Just in!’ became a reality.
Following Michele’s advice I produced a light oil paint wash which would show through subtlety the following pastel layers. It took a little longer to dry than I planned, the figure was painted a bit heavier and would not accept the first layers of pastel until a bit more drying time was taken.
My pastels and working area. For this drawing I was keen to use my new box of Unison pastels. Unfortunately I had purchased the pet portrait box so there was quite a few colours I wanted that weren’t there – looks like I’ll need to get another box 🙂 I also use Conte soft pastels, hard pastels and pastel pencils. All pastels are great but the reason that I use Conte is that the soft, hard and pencil all match so you can use exactly the same colour in all forms.
Some progress drawings.
I hope you like this drawing and its journey, prints are available click here to go to my shop and feel free to leave a comment….or check out more of my cricket art on my website