Tag Archives: staffordshire portrait artist

Custom charcoal portraits

I’ve been working hard on improving my portrait drawings and finding out what is my preferred paper and preferred medium.  After making a long list of all the different surfaces and all the different mediums I like to work with and practising over and over I finally settled with charcoal on Strathmore toned grey paper.  A real bonus happened when Strathmore released a toned grey mixed media paper which is exactly the same tone grey and surface but a thicker version.  This is a great bonus as I did have a concern that the original toned paper was a bit on the thin side.

 

Here a few of the recent portraits I have confidently completed in this style…..

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As you can see it really has become a big step forward.  My portraits are becoming quicker and more relaxed.  I intend to do portrait sittings and try to work on my life drawing skills, but continue to work from photographs in the meantime.  If you are interested in commissioning a portrait from me, they are all 11 x 14″ on toned grey Strathmore mixed media paper and cost £120 + shipping.  They will be shipped flat in an all board envelope for you to frame.

For further details you can visit my website and read my commission page here

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The Glance – conte pastel portrait

All I have been doing this week is portrait drawing – actual portrait drawing and watching videos from 2 of my favourite portrait artists.  Despite the fact that being a portrait artist is my ultimate ambition I give so little time to it that it has quite shocked me that in the last 5 months I’ve drawn one portrait.  Here are some progress photos….

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I practically enjoy all the art that I tackle – normally the more challenging the better, but this has been particularly rewarding to see the ideas in my head come out so well on the paper.  Here’s to more portraits……

To view and read ‘The Glance’ in more detail you can view it here on my website

pastel portrait drawing of a young woman glancing and looking into the distance

The Glance

No sales this week as I have spent all my time doing this,  coming next is another cricket drawing – Misbah’s sweep…

Portrait drawing from life – Bickerton Art Exhibtion – 24th July 2016

This week I have been honing my portrait drawing skills in preparation for drawing from life.  It is so very different drawing from life rather than from a photograph, I felt overwhelmed at times by the amount of detail that I needed to get through in such a small window of time.  I used Rich (my husband) as the model, I had to sit him fairly close to get a clear image, even he felt too close as if he was invading my personal space.  So that’s tricky!  I wanted a 3/4 angle which is a great angle for a portrait but then he spent the time looking away from me which he didn’t find great as he was talking to the wall.  After half an hour I had sketched out some areas, then I took a photo and we had a break.  When I looked at the photo I could see immediately that I had got the light completely wrong.  I spent the next half an hour using the photo to correct the light and to work on the detail.  It’s going to take me a few times to get into the hang of this.

In the end I scrapped the drawing of Rich above and started again on a different paper.  The paper I had used was drawing paper that was just too smooth.  It meant the charcoal didn’t catch too well and was looking like a smudgy mess.  So I started again on my preferred paper which Canson Mi Teintes pastel paper.  The reverse side of this versatile paper is quite smooth with a little tooth – makes it great for charcoal.

portrait drawing practise in charcoal

This isn’t finished, I have worked the left eye and stopped part way through working the right eye.  Basically I am bored of it now.  I could complete it but I have achieved one thing which is knowing the correct paper to use, from this point on I was only working from the photograph anyway which is not what I am trying to do.  I have asked my daughter Abbey to sit for me next – keep plodding on.


The quote that I picked up this week from Robert Henri is receipts are for slaves  I have no idea what that means but it stuck in my head.  Any ideas?


Bickerton Village Hall are holding their 10th Annual Art Exhibition starting on 23rd July.  I have managed to enter this time.  For such an out of the way place its very popular and even I was amazed by the amount of art arriving at the dropping off time / day.  I will be demonstrating on Saturday 1-3 and will have some of my prints with me.  The exhibition is for originals only.

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It is the first time I have entered an exhibition and I was a bit pants at knowing what to do.  I totally embarrassed myself because I had to take my drawings to an allocated table, take them out one at a time and hold them up.  We then confirmed the title and the price, then a lady stuck stickers on them.  I started to panic when she stuck 167 on a piece that I had priced at £205.  I thought maybe they discounted them, but when she did it again on another piece I had to say something.  Turns out the number is the catalogue number and not the price! Silly me….

On Saturday I went to give a two hour demonstration.  A little nervous to find out how my drawings were doing on this first day I set myself up with my easel and charcoal then went to hunt them down.  I found three of them straight away but needed help to find the other two – there are simply so many wonderful pieces of art there.  I was delighted to to discover that one of my drawings had a little red dot on it.  Kerching – I’m so pleased that this particular drawing is finding a good home.  I’m planning to nip back on Tuesday just to see how they are doing – oh and probably get another wonderful homemade cake.


My studio / gallery is looking great now and I’m itching for someone to come along and pay it a visit.  I have taken a 360 degrees photograph so that you can see what it looks like without even stepping inside.  If only it were truly that wide and long.

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Everything is now up on the walls, my print rack is full and my cards and mugs are on show.  Don’t forget if you want to come and have a look drop me a facebook message or text and I’ll confirm if I’m in.


On Friday night I attended a social media workshop with a local facebook group that I have recently joined.  Etsy South Cheshire is a group of makers who live in South Cheshire and all sell on Etsy.  The idea behind the group is that we support each other and organise art and craft events in our local area.  This particular meet up was a little workshop to help us make the most of social media.  It’s great to share ideas in this way and to learn from each other what works and the pitfalls we have all taken.

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Great to see me looking very attentive on the left hand side.


As if the week wasn’t full enough I’ve been drawing Charlie – my lovely cocker spaniel.  I wanted to show how charcoal can look so stylish as a medium even on a coloured dog.

My plan is to draw him also in graphite to give customers a clear idea of what a portrait in charcoal looks like and what a portrait in graphite looks like.


Sales This Week

These are the drawings that all have new homes this week…

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….. and I have managed to secure 5 commissions so I’ll be pretty busy next week

Faith & the Goose – original charcoal drawing

In my studio this week I have been working on my competition drawing of Faith and the Goose.  I am entering it into the Society of Graphic Fine Art’s Draw 16 competition.  I don’t expect it to win but it would be lovely if it got accepted and hung in their exhibition in October.  This is part way through the drawing as I have begun work on the goose, blending and shaping the charcoal.  I want the goose to look friendly because that will soften the look of fear on the girl’s face making the drawing quite sweet.  I want the drawing to make people smile, not for them to be afraid for Faith.

charcoal progress drawing of a young girl standing on a bench in a park with a goose walking over to her she looks scared

Progress drawing

I am also preparing my studio for show,  I would like people to feel they can come and visit, take a look at the original drawings and prints, chat about commissions and see me work.  So I’ve been busy framing and putting pieces on the walls, preparing prices and ensuring that its the comfy cosy place to visit and stay a while that I think it is.  If you would like to visit drop me a quick text, email or facebook message and I will let you know when  I am in.

art studio gallery of alsager cricket and pet artist

Taking the day off on Saturday we went for an art trip to Kirkstall, Leeds.  This was a fact finding mission to take a nose around their art trail.  I have entered my studio into the Cheshire Open Studio event in September and wanted some ideas.  It’s surprising to think there are so many artists who live so close to each other.  But, I reckon the same could be said of quite a lot of areas.  There are quite a few in Alsager that I know of.  It was so lovely to visit other artists in their studios and although I was worried about getting studio envy I was ok.  The only envy was possibly for the wonderful summer house at the end of one beautiful garden.

The tips that I picked up was to have a bowl of sweets or nibbles, to have a write up on display about me and my art, have a visitor book for people to sign, add their contact details and comments.  The things not to do was to have lots of friends in the studio.  It’s a tricky balance because in some places it felt fine and we were left to browse but in other places we felt intrusive and uncomfortable.

The great line I’ve picked up this week in my reading is The artist sees only that in the model which may help him to build up the look he would record (Robert Henri)  To me this means that when I’m looking at the model or the subject of the drawing I need to consider what it is I am trying to portray.  For the Faith & the Goose drawing it was the expression on Faith’s face, therefore everything needed to relate to that.  I had to draw the goose to show what she was afraid of, to draw the bench to show her position in relation to the goose and to show she was at a park.  Hmmmmm

charcoal original drawing of a little girl standing on a bench looking at a goose with a frightened expression on her face

Faith and the Goose

This is the finished piece of Faith and the Goose which has now been emailed off to SGFA.  Fingers crossed and we will see how it gets on.

Finally for this week I am going to explore drawing portraits from life – a true ambition of mine.  I would like people to come to my studio and sit for me to have their portrait drawn.  Initially it would need to be as practise because my drawing skills are not up to scratch on portraits or from life.  Plus I’m not sure what materials I would prefer to use – charcoal, graphite or pastels so lots of experimenting needed.  If you feel that you have an hour to spare and would like to sit for me then please get in touch, I can’t pay you but I give you a cuppa and lots of chat.

How a Dalmatian got it’s spots… Clip video of pencil Dalmatian drawing 

This is a little clip video of progress on a pencil drawing.  I took photos as I went along which show nicely how I work my drawings from laying down the initial shade and the proportions to finalising the dark detail.  At no point do I really work on the white or light parts, building everyone up from the tone instead.

The drawing is only 5 x 5″ which forms part of a new range of smaller gift size commissions which I will launching this week.

Wedding portrait drawing – progress

I have worked all day yesterday on this drawing, after initially being afraid to do it I can’t wait to get back to it.  I have been snapping away at my progress and put together this little time lapse video of progress so far.

Whippet Print

Here is my fine art whippet print now prepared.  It looks lovely printed out on fine art paper, those eyes come out really well.  I have limited the run to 150 so if you would like one then don’t leave it to think too long.  To order click here to buy or click on the image to be taken direct to my website shop and a secure checkout.  The prints are priced at £42 each and are mounted to 16 x 12″  – please note that the wording across the print will not be on your purchased print, it is there purely to prevent people from printing out my image without my permission.  If you have any queries you can email me: pauletteafarrell@hotmail.com

limited edition fine art print of a whippet drawn in graphite pencil looking up at its owner by Alsager pet artist

The Whippet Look Fine Art Print